14/04/12 - 20h (open 19h)

image

 

GHETTO BLASTARD + DAVID NEAUD + TAPETRONIC

 

GHETTO BLASTARD

Une action éclair et bruyante de Jean-Marcel Busson ( DAS-OS , GOL ) autour d'un ghetto blaster customisé comme instrument, détournement d'un objet culte.
short & noisy action on a mythic ghetto blaster.
http://nobus.20six.fr/

 

TAPETRONIC

Tapetronic c'est Alexis Malbert et vice-versa ou plutôt auto-reverse dans son cas. Depuis 1999, il détourne, recycle et transforme des cassettes audio et des magnétophones pour en faire des machines à jouer de la musique. Inventeur, entre autre, de la Scratchette, la cassette qui scratche, ou de la Vibro-K7, du Phone-cutter, il agit directement sur des dispositifs mécaniques permettant de produire une musique curieuse et déviante pour dancefloor en pente.
Tapetronic is Alexis Malbert and upside down or auto-reverse in his case. A crazy K7 maker since 1999.
www.alexismalbert.com

 

DAVID NEAUD

Le dispositif est simple, rappelle du connu, du familier. Deux haut-parleurs nus et quelques objets de fonds de tiroirs se partagent la même surface d’une feuille en métal  posée sur deux tréteaux.
A simple device... 2 speakers on a metal foil with some familiar objects are resonating endlessly...
https://www.facebook.com/davidneaud

21/04/12 - 20h

 

ARNAUD RIVIERE + JEROME FINO

 

ARNAUD RIVIÈRE

"Il y a un disque sur le plateau. il tourne. Je manoeuvre le bouton d’arrêt : impossible de l’arrêter, il tourne de plus en plus vite, l’aiguille ne peut pas suivre, le bras prend d’extraordinaires positions, l’intérieur du phono ronfle comme une chaudière, on voit des espèces de flammes, et le luisant du disque noir, affolé ; d’abord l’idée que le phono va se détraquer, une angoisse limitée, puis qui devient immense : TOUT va exploser ; une rébellion magique, incompréhensible, c’est un dérèglement de tout. […]
Quel ravage ! le bras réduit à une espèce de brindille tordue, l’aiguille pulvérisée, le disque pulvérisé, le plateau déjà attaqué, les accessoires anéantis, et la maladie continuant à couver à l’intérieur de la machine."
Simone de Beauvoir

Traficage au rayon bricolant : tiges de ferraille dans la table de mixage, pas forcément filetées et pinces croco multicolores, ça rentre la sortie dedans. C’est pas du tout fait pour mais ça n’empêche. Un électrophone, plutôt plastique, vive l’explosif, mais renforcé pour encaisser. Tant que ça tient. Pas forcément des disques et même certains en métal, et d’autres. Au contraire des capteurs aussi qui se collent là où ils tombent, ou pas, pas toujours. Sur et avec des ressorts, en revanche. Bref, sinon, feedbackophile non repenti mais avec les mains, Arnaud Rivière se débrouille avec l’accident et le virage. http://http.http.http.http.free.fr/

 

JEROME FINO

EYE FOR EARS de Jérôme Fino
“macro-vidéo pour musicien en 4:3”
Commencé en 2008, ce projet juxtapose des improvisations de différents musiciens expérimentaux. Chaque session filmée est recomposée au montage, les séquences focalisent sur les détails des instruments et la gestuel des musiciens. La mise au point est bloquée à quelques centimètres, l’espace environnant disparaît, la caméra devient une machine à décortiquer la fabrication du son.  
avec la participation de :
Sophie Agnel - Servando Barreiro - Jean-François Blanquet - Electronicat - Vincent Epplay - David Fenech - Gol - Yann Leguay - Super Jean-François Plomb - Valentina Vuksic -

JEROME FINO
http://azertyuiopqsdfghjklmwxcvbn.org
l'improbable : http://tetedeferrite.blogspot.fr/

“Lʼidée cʼétait de documenter tout ça”

Artiste-vidéaste Jérôme Fino questionne tout d’abord les liens entre le film et sa bande sonore. Il réalise de nombreux projets sur la musique improvisée et liée au mouvement du DIY. Les pratiques du détournement sont les bases de ses films qui se situent à la frontière du documentaire. Archiviste sans compromis, il dresse une image fragmentée de l’agitation durant des performances.

ARTKILLART + AYMERIC DE TAPOL + NICOLAS MAIGRET + SASCII

 

ART KILL ART

Artkillart invites musicians and artists to creatively explore the limitations of the traditional physical supports (cds, vinyls, tapes...). The label focuses on experiments with classic technics and procedures of the record industry. The artkillart records can be viewed as different leads to rethink, proposing conceptual and processual objects.
www.artkillart.tk

NICOLAS MAIGRET

System Introspection peut être envisagé comme une observation de la machine par elle même proposant une expérience physique de la donnée numérique. Le concert repose sur une exploration concrète du code binaire et de ses qualités intrinsèques (structure, logique, rythme, redondance, compression) instantanément rendus sous forme de flux visuels et sonores.
Nicolas Maigret développe une pratique expérimentale du son et des images électroniques (time, installations, programmation, radio) depuis 2001. Dans ses réalisations, les caractéristiques internes des médias sont rendues perceptibles à travers leurs erreurs, dysfonctionnements, états limites ou seuils de rupture, dont il développe des expériences audio-visuelles à la fois sensorielles et immersives.
http://peripheriques.free.fr

AYMERIC DE TAPOL

Des cassettes d'enregistrements de RADIO NOMBRE, une lampe, une radio, un Synthétiseur modulaire, des micro-contacts , en d'autre termes:" LES ONDES"
http://a.detapol.free.fr/

SASCII

Pop qui craque !
http://editions.dokidoki.fr

27/04/12 - 20h

FREIBAND + BROMBON + MARTIENSGOHOME

 

FREIBAND Frans de Waard

Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He has worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own publication Vital, now only Vital Weekly, an online music magazine, which has been the online source for underground music since 1995. In February 2007 he played various solo concerts as Goem|FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of improvised music with whoever is available, just as he did with people like Guiseppe Ielasi, Jaap Blonk, Howard Stelzer, Roel Meelkop, Andrew Liles, Radboud Mens and the mayor of his home city Nijmegen. In 2008 film maker Harrie Timmermans made a small documentary about his work with Kapotte Muziek under the title ‘What You See Is What You Hear’. He has given workshops and lectures at various places, such as Extrapool, the art academy of Maastricht en ‘s-Hertogenbosch, the Glinka Conservatorium in Moscow and Lithuania. With Scott Foust he formed the duo The Tobacconists in 2009 and with Wouter Jaspers the duo Ezdanitoff in 2010.

http://fransdewaard.com/

+

BROMBRON Mecha/Orga & Jos Smolders

As part of the Extrapool project Brombron

www.mecha-orga.com
http://www.jossmolders.nl/

+

MARTIENS GO HOME

Martiensgohome are a sound collective operating on the radio every thursday 9:30pm GMT, radio campus in brussels
Each programme consist of one hour-long improvisation using field-recording and broken everyday electronics to compose some kind of anti-ambient soundscape.
Martiensgohome also perform time whenever possible, preferably in special settings, composing site-specific interventions or playing unconventional venues.
http://www.martiensgohome.net
http://soundcloud.com/martiensgohome

http://mgh.constantvzw.org/MGH2m.htm

04/05/12 - 20h

access to HS ?

Hopstraat 63 rue du houblon
Brussel 1000 Bruxelles
Ninoofsepoort tram 51 / 82 porte de Ninove

N'hésitez pas à nous envoyer vos propositions!
Feel free to send us your suggestions!

hopstraat63@gmail.com

15 MAY 19h

GEOFF MULLEN

.
"Dronologist and sometime string plucker Geoff Mullen, whose fantastic thrtysxtrllnmnfstns we so recently highlighted, is back already with his 2nd full-length compact disc, this time on the Last Visible Dog label, which makes perfect sense. Maybe murkier and even more abstract (we're pretty sure he's playing guitar, but we don't hear any back-porch banjo here) than his debut, The Air In Pieces features eight tracks, each one for the most part a gentle, slowly unfolding ballet of dense, deep drones and whispering vibrations from below. It's the music of subterranean behemoths, Lustmord-like whale calls, sleeping, dreaming, but very physically present. Material that could perhaps be spooky, but in Mullen's hands all this low-register distortion is bent towards light-filled blissfulness. We're very pleased. Two for two for Mr. Mullen, and neither record really sounds entirely like the other."--Aquarius Records

The Wire's new super star, Geoff Mullen, is nothing new to us.  Here in Providence he's a staple at nearly any show worth seeing, but instead of developing a solid roster of standards, every night it is something different, he's trying something new that nobody has tried before (or at least that he hasn't tried before...)  LVD was proud to share Geoff Mullen with the world on our 6 CD Invisible Pyramid comp, which was shortly followed by a full length CD on Entschuldige, which has already received much acclaim.
http://soundcloud.com/rel-records/geoff-mullen-accidental
http://soundcloud.com/_type/sets/geoff-mullen-bongo-closet
http://rareyouth.org

 

16 MAY 20h

 

« Mû » est un ensemble oscillant entre polyphonies contemporaines, énergies du Rock et expérimental. Le répertoire de « Mû » est constitué de mouves : diminutif de "mouvement", en référence directe aux mouvements d'une sonate ou d'une symphonie, aussi bien qu'aux mouvements de masse que l'on retrouve dans certains corps liquides ou gazeux tels que les rivières, les océans, les nuages... ou bien même des mouvements plus abstraits: Mouvements de l'âme, de l'affect...   Influencés par les modes à transpositions limités d'Olivier Messiaen, de leurs caractères mélodiques et harmoniques jusqu'à leurs qualités philosophiques, symboliques et spirituelles liées à leurs principes de symétrie et d'ordre, chaque "mouves" est issu d'un processus particulier, soumis à un ensemble de règles et postulats valables uniquement pour celui-ci. "Elusifs, ils opèrent par  successions d'étapes enchevêtrées en flux continu.   L'équilibre trouvé entre la rigueur des passages écrits et les improvisations insaisissables donne naissance à une oeuvre lyrique et hypnotique d'une clarté étonnante.   Beaux, mystiques et sensibles, ces "Mouves" explorent avec passion les systèmes de variation d'un matériau et les ramifications qui composent l'unité de l'oeuvre.   Un ensemble fascinant dont le résultat est  supérieur à la somme de ses parties" (Thödol).

Quentin Manfroy: flûte 
Eric Bribosia: Fender Rhodes, claviers
Yann Lecollaire: clarinettes, composition 
Benjamin Chaval: batterie, tables électriques...

http://www.wix.com/lecollaireyann/site#!musique-%22m%FB%22
+

BRISTOPHE

is Brice Catherin and Christophe Schweizer.
We can’t always promise exactly who is going to play which instruments, but usually you can expect to hear cello, trombone, a bit of electronics, maybe some tuba, a touch of clarinet, plus e.g. recorder and other flutes, double bass, alpine horn, voice, bird calls, a few toys, and whatever else they come across that might produce some type of sound.
We also know that while it is true that Bristophe enjoy being on stage, their definition of just where that is appears to be a somewhat different one, as they tend to wander all around the room, playing behind or in the midst of the audience; or furthermore to disappear behind curtains or onto the hallways.
We do know for certain, though, that they improvise.
Bristophe is half Swiss living in Hamburg (Germany), half French living in Geneva (Switzerland). Occasionally both halves meet in one place, and that’s when sound happens: sometimes extremely loud (even to them), sometimes so soft that you have to bend your head and dilate your eardrums to notice anything; sometimes far away, and sometimes as close as a few inches from you.
But whatever happens, it sparkles like a shimmering fire.
duo Bristophe
www.bricecatherin.org
www.connaissancedumondeexperimental.org
www.bristophe.org

 

 

15+16/05/12-19+20h

 

 

RUBEN PATIÑO aka PATO (pt/nl)

"so basically the idea is to put the two speakers on the same axis. one higher one lower.
instead of left and right it would be up and down.
i ve been working at home puting one monitor on top of another i´d like to try that for the first time time !"

Rubén Patiño, also known as Pato, works in the field of computer music,
an activity he combines with incursions in the installation field. Patiño’s works
are characterised by an algorithmic compositional style that is both irreverent
and hyperenergetic. He has performed solo across Europe, as well as collaborated
with Roc Jiménez de Cisneros, Olivier Di Placido and Seiji Morimoto. Originally
from Barcelona, he is currently pursuing a masters degree in Sonology at the Royal Conservatory in the Hague.

http://www.patooo.net
https://vimeo.com/35974142

+

VOLKER HENNES (de)

Ewok Poltergeist Consistencies II-IV – quadrophonic studies for randomizable digital modular synthesis.
 
"quadrophonic speaker setup would be cool. and a small table with four jack-inputs from my nord modular.
thats basically it…"

Volker Hennes is a sound artist and composer living in Cologne.
http://www.earesistible.de/

27/05/12- 20h

access to HS ?

Hopstraat 63 rue du houblon
Brussel 1000 Bruxelles
Ninoofsepoort tram 51 / 82 porte de Ninove

N'hésitez pas à nous envoyer vos propositions!
Feel free to send us your suggestions!

hopstraat63@gmail.com

 

NEXT , rue du houblon 63 hopstraat BXL :::::::::: - - - -->

05/06/12 - 20h

GREGORY DUBY

Guitariste bruxellois actif dans le milieu rock et la musique improvisée belge. Auteur du projet Jesus is my son, il fait également partie du trio K-Branding et a enregistré plusieurs albums de musique improvisée ou acousmatique. Il est le fondateur du label FF HHH et l'un des piliers de l’asbl Mandaï Distribution.

Avec Jesus is my son, Grégory tente d’approcher l’idée d’immortalité, de rendre chaque évènement éternel. Jesus is my son relève d'une volonté de tristesse, de solitude et de puissance. Il est un long voyage où chaque note est une idée d’éternité. Sous son propre nom, Grégory propose une musique plus libre, une musique qui laisse la part belle à l’improvisation et à l’écoute des sons.

En février, le label FF HHH sortit le second album intitulé ‘1914-1918’ de Jesus is my son. Ce même mois a vu aussi la sortie de album 'Lorsque les hommes épouseront des anges' de Grégory Duby sur le label Young Girls Records.

http://www.ffhhh.be
http://soundcloud.com/gregory_duby

+

TANGIBLE_FrédéricBernier_VOIX(Special HomeSweet Dédicace)
Position, composition, décomposition.Quand la musique disparaît dans un moment d'obscurité et où le désert nous montre le paysage amoureux.
rien à voir:
http://www.nealbeggs.com/nbcom-1/exhibitions/benoit-le-carpentier/video/video-page-fb.html
et un appetizer (5,4Mo)mp3  en download:
http://dl.free.fr/d2e1ywre7
Attention à ne pas confondre une mise en bouche avec "le grand jeu", ni "ce soir j'te fais la totale, chérie" avec "ce soir je chante dans ton sexe".

+

ANDREAS TROBOLLOWITSCH

Andreas Trobollowitsch is a Vienna based electroacoustic musician, composer and sound artist. He studied musicology and temporarily jazz in Vienna and Paris (thesis about the spatial approach in the compositions of Stockhausen and Cage). In his works he uses mainly tapes, no-inputmixer, objects, prepared musical instruments and field recordings. Recently he is focusing on souninstallations and conceptual compositions. Composition Grants from the Arts Division of the Austrian Federal Ministry for Education, Radio broadcasts: ORF-Zeitton, Deutschlandradio Kultur,... Since 2007 he is working together with Johannes Tröndle as nörz. In 2009 they released their first album on the berlin based label schraum. The second one with acker velvet was realeased on the warsaw label Monotyp records in 2012. He toured and performed in Germany, Austria, Belgium, France, Spain, Portugal, Chile, Argentina and China.

http://www.monotyperecords.com/en/mono046.html

http://www.schraum.de/katalog/schraum10.html

http://www.youtube.com/watch?v=0Egwu2wsV0c&feature=relmfu

http://www.youtube.com/watch?v=rg4hS-tTLHA

http://soundcloud.com/acker-velvet


MAXIME BLANPAIN + PIERRE AUBERT + YANN LEGUAY + ERIK MINKKINEN + MARCEL LUCKY GHOST !

 

ZEROTOPIE n°0
pour la sortie de la revue éponyme,
prix libre et bienvenue

 

le zéro est trou,
corde,
source,
échelle,
zone obscure
zéro, nul et potentiellement plein
le zéro apprécie
et demeure le référent des entiers relatifs.

--------
 
MAXIME BLANPAIN
Sevré à Lustin, stimulé dans le Beaujolais, resté coi à Strasbourg, il exhale le parler hongrois à Bruxelles.
Dès le début mis hors de lui-même, Maxime Blanpain travaille à dévertébrer le langage : celui qui, sonnant en corps, bas son plein sans organes.
http://lexclame.blogspot.be/

+

PIERRE AUBERT
/\/RATIO_π®
drone visuelle.
https://vimeo.com/user762960  

+

YANN LEGUAY
un disque , un micro.
http://www.phonotopy.org

+

ERIK MINKKINEN
il sera là ! inchallah !
http://s.eeek.free.fr/

+
MARCEL LUCKY GHOST
débouler du stockausen au milieu d'une électronique bien cadencée,
des sonorités hawaïenne croisant du math-rock,
de la musique chinoise à fond de bass...
http://www.mixcloud.com/DeadClarisse/

 

(zerotopie n°0 : maxime blanpain, marion fabien, yann leguay, sandra plantiveau, yoan robin)

 

07/06/12 - 20h

hosptraat63rue du houblon, BRUXELLES 1000 BRUSSEL

tram 51 / 82 / 83 porte de ninove /ninoofsepoort

 

 


STRØM christianmuller/gaudenzbadrutt
strøm are a group of about two musicians, approximately 60 cables of audio, a bunch of stompboxes, the reverent dr. sherman, three oscillators aka i, a bass clarinet... is improvised and an idea of ambiguous clusters of sound, are many, extremely busy electrons, is a soundtrack to a sci-fi movie never watched or a stirred cocktail on the rocks, mixed with 2/3 of avant-garde classic and 1/3 of experimental rock, garnished with a pinch of purple pop-roar, is a weltanschauung coming from the surroundings of the mysterious cult of yagwud or a thunderstorm of sound made of hypothermic electronic bubble and dinosaur-sized melodies of hoovers, is seldom sexy, quite often erotic, is a problem of drums less, is seldom KO'd in the fifth round, has a brumm once in a while, is maybe more likely gossip or a trip to the dark galaxy of electronic sound, works at 220V, or also with 1.5‰ is the orchestral brother of dupont & dupond, has no reverse gear, overcomes sudden falls of frequency lightly as well as chaotic gatherings of overtones, seldom dresses as the taliban, is the most quiet band when practicing (at least on this side of the alps), is a musical meal with several courses, including a surprise desert flambé and an architectonic magical trick, is mostly a modular system, has a g4 and a g3 processor... and strøm believes in the holy grail.
www.shizophonic.ch

+

KOMATSU cyrilbondi/yannleguay
Floor tom versus cracked electronics.an electronic / drum meeting where the texture takes place into an intense and folded soundscape.
http://www.insubordinations.net/releasescd06.html

Cyril Bondi is involved since many years into active improvisation , as a member of diatribes among others and co-founder of the Meta insub orchestra, he's multiplying collaborations and projects with his particular approach to be a drummer.
http://www.insubordinations.net/cyrilbondi/
Yann Leguay aka Phonotopy, is focused on everything around solid memory and sound materiality as transforming hard-drive into a 7200 RPM turntable.
www.phonotopy.org/komatsu.html

 

avec le soutien de ProHelvetia, schweizer kulturstiftung

11/06/12 20h

korean foood !

 

 

+   RADIOJACK & DJ SHELLAC  

+   PIED GAUCHE (sjfp)  

+   BONNE HUMEUR PROVISOIRE


 

 

RADIOJACK & DJSHELLAC
Cyrille Flament et Jacques Foschia
(ondes et brouillard/gramophones élaborés) : tentative courageuse et désinvolte de récupération et de détournements d'objets sonores égarés par le temps et mis au rebut  ->

http://vimeo.com/31214494

+

PIED GAUCHE
super jean françois plomb
(one man free hypnotic lo-fi mechanical rock)
deux toms bass mécanisés, un amortisseur vibrant, et deux basses dont une automatisée et l'autre jouée... two mechanical bass toms, one vibrating shock-absorber, and two basses (one automated and one played)...

SJFPlomb est artiste sonore, et après des expériences d’installations sonores automatisées, il s’est progressivement orienté vers des projets plus performatifs et musicaux à base de petits moteurs, d’objets de récupération et d’instruments fabriqués. Il a partagé la scène avec divers musiciens ou danseuses (Bruno Meillier, Sklarska Poreba, Mika Pusse, Florence Girardon, Pierre Gordeeff, Joe Talia, Marie Cambois, Olivier Toulemonde, Shit, Frankhan, et bien d’autres.). Mais il est surtout la moitié bricolage du duo no-folk indus expérimental 300 mA (avec Damien Grange). Il joue également
un solo afro indus intitulé JiFlure.

http://sjfp.musicblog.fr/

+

BONNE HUMEUR PROVISOIRE
pneumatique N°XCP413 23 du département propagande
Bonne Humeur Provisoire saveur Hip post industries agroalimentaires Hop Hop. Bonne Humeur Provisoire est né dans un tonneau entre Aubusson et Carcassonne. Ils honorent les années yéyé grâce à la découverte d'un stock de médicaments périmés datant des années 60.
Duo Membres fondateurs du Dalida Suicides Fanclub. Ils sont myopes et jumelés, garniture aux jouets modifiés, cheap claviers, guitare noisenoise d'amour. Ils sont Bleus et intriguent la taxidermie. Mécaniques auto éjectables, machines à bulle.Membres du Brouhaha Club. Pop Corn à la chinoise (pique les yeux - plus de 10 ans). Mariages, enterrements, accidents, animations de restaurant turc...

http://bonnehumeurprovisoir.free.fr/
http://www.youtube.com/watch?feature=player_embedded&v=nZ5wPTNCR3w#!

25/06/12 20h ! 5 €

    + + + + + +++korean foood+++

 

 

29/06/12 20h ! FREE

WATCH THE TEASER

Hors-Serie
GREUXmilleDOUZE
15->20 Aout

 

Improbable !

Les concerts (surtout les 17 & 18, ça c'est le pic) : pas éxhaustif du tout , en prévision et à confirmer sur place on vous tiendra au courant de la suite

 

- GOL (musique electraditionnelle morvandiou)
- Bonne Humeur Provisoire (happy people)
- Super Jean-François Plomb ( super!)
- $uicide Note$ ( Dj Urine + H. Murder )
- Bim Johnson (en chair et en os)
- Radikal Edwards (20 doigts!)
- Phonotopy (la vida loca)
- Ghetto Blastard (son nom l'indique)

 

le moulin du GREUX c'est ici
accessible en train (Nevers), en voiture (Urzy), en barque (la Loire , la Nièvre puis Le bief du greux), en navette spéciale...
et ça ressemble aux photos en pièce jointe °!°
l'adresse exacte est:


Moulin du Greux
Rue du Moulin du Greux
58130 URZY le Greux

infos : hopstraat63 [at] gmail [dot] com

09/09/2012 - 20h 5€

RINUS VAN ALEBEEK:
Rinus van Alebeek (1956, Heerlen, The Netherlands) is a writer who uses his (environmental) recordings on tape to narrate a story. During the nineties he published two books (pseud. Philip Markus) in his native country.  The first novel (De Weg naar Oude God) won the prestigious Geert Jan Lubberhuizen Prijs, a yearly award for the best first novel.
An accidental encounter with electronic and avant garde music in the year 2000 at the Lem festival in Barcelona, and an introduction to the cassette culture gave way to his further artistic development.
In the first decade of this century van Alebeek made a thorough research on how to make or manipulate recordings. Thanks to a great number of concerts, sometimes an average of ten in a month, he developed an approach of which people say it is ‘ between noise and pure poetry.’
“Rinus Van Alebeek is a peculiar observer of reality and an artist who instinctively transforms lo-fi tape recordings into evocative sound poems, being able to create a “détachement” towards the used media, which is a characteristic of the most original artists.”
Luis Costa, president of Binaural and Associação Cultural de Nodar.
http://rinusvanalebeek.wordpress.com/

+


CORE OF THE COALMAN:

Core of the Coalman, the solo project of Jorge Boehringer, consists of continuity and discontinuity for viola, voice, and circuits on the border between order and chaos. Sonically diverse and at times explosive in texture, Core of the Coalman emphasizes the physicality of sound in its synesthetic relationship between ear, mind, and environment. Expect thick sustained drones, lattice-like repetitions of rotating point clouds of sounds, with absurdity. More information here:  http://multiplesystemsofevents.wordpress.com/

+

YANNICK FRANCK:
Musician, performer and founder of Idiosyncratics Records, Yannick Franck has developed an increasingly personal style that combines sharp acoustic research and abrasive walls of sound. Often described as trance-inducing, his music is based on the treatment of sources such as instruments and non-musical objects, voice, radio signals and field recordings. It ranges from fundamental acoustic explorations (The Staircase Continuum) to more stylistic-expressionistic searches (Memorabilia); two fields of investigation that tend to collide in his latest works.  

Franck is part of electroacoustic-noise improvisation project Y.E.R.M.O., with guitar player Xavier Dubois and drummer Jason Van Gulick. They have collaborated with artists Gast Bouschet and Nadine Hilbert on a number of projects. They created soundtracks for the artists' political installation Collision Zone, held at the Pavilion of Luxembourg, Venice Biennial 2009. Additional collaborations include their intense audiovisual performances, Things to Come, Collision Zone, and Toward The Event Horizon."  

In the past, Yannick Franck has collaborated with Pietro Riparbelli / K11, Craig Hilton (Gauchiste, Loincloth), Phil Maggi, Alan Trench (World Serpent, Temple Music, Orchis) and Esther Venrooy among others and his music has been released on several labels including Silken Tofu, Young Girls Records, Sylvain Chauveau's concept record house Onement and Italian label Silentes.  

He has performed in venues and festivals such as Issue Project Room (New York, USA), MUDAM & Philharmonie du Luxembourg (Luxembourg, LU), Young Arts Biennial (Moscow, RU), EPAF (Warsaw, PL), Instants Chavirés (Paris, FR), Ausland & Electronic Church (Berlin, DE) among many others.  
www.yannickfranck.com

+

DJ YOUNG GIRLS aka PIERRE-YVES BIHET

tuez-le

13/09/2012 - 20h ----5€


! KOREAN FOOOD !

+

WILL GUTHRIE
Australian drummer/percussionist Will Guthrie uses amplified found and junk, microphones,
electronics, drums and cymbals. He works in many different settings of music: time performance, improvisation and studio composition. He plays solo using different combinations of drums, percussion, amplification and electronics, in minimalist/maximalist free jazz trio THE AMES ROOM, in appalachian mutant folk duo ELWOOD & GUTHRIE, as well as the electro/acoustic improvised/composed ensemble THYMOLPHTHALEIN. Regular collaborators past and present include Jean-Luc Guionnet, Clayton Thomas, Scott Stroud, Jérôme Noetinger, Anthony Pateras, Erell Latimier, Matthew Earle, Adam Sussmann, Ferran Fages, Jean-Philippe Gross, Greg Kingston, Helmut Schafer, Keith Rowe, Ren Walters, Mark Simmonds, Snuff Puppetts ...
Will currently times in Nantes, France.
http://will-guthrie.com

+
JEAN-PHILIPPE GROSS
Since 1998 he plays improvised electronic with a mixing board, cheap microphones, small speakers and with a serge modular synth. His work is primarily focused on feeback. Mostly performaning time, he is also creating sound/music for dance & theater. He is collaborating with various musicians, among them with Xavier Charles, Clare Cooper, Jérôme Noetinger, Lionel Marchetti, Franz Hautzinger, Axel Doerner, John Hegre, Will Guthrie, Ferran Fages, Jean-Luc Guionnet, Arnaud Rivière, Pascal Battus, JazKamer … From october 2001 to june 2009 he was engaged as a program curator in the association Fragment (Metz, France).
http://jxpx.free.fr/

+

RIPIT
Ripit, a.k.a Nyko Esterle, started his musical activities as a black metal guitar player in 1995. In 1998 he turns into radical electronic, developping a noisy, rythmical and psychedelic sound based on primitive synthesizer use. He evoluates to a more complex form of sound tending to beat micro-surgery and orchestral bombast. As an actor of extreme electronic/pre-breakore parisian scene by organising alternative parties, he expanded his network on an international level. He toured several times in North America and Europe.
www.soundcloud.com/ripit

+

SAMON TAKAHASHI
Samon Takahashi is a visual and sound artist. His work is so-called “transdisciplinary” using all types of media. His main interests or obsessions concern language, means of communication, pseudo science, architecture, isolated landscapes and classification. There is not a clear style that links his different works but a methodology, a sort of empirical logic, a common skeleton.
For this event , he will play an EROTIC mix , linked with the exhibition " BEHIND THE CURTAIN"  http://www.mathildehatzenberger.eu/wordpress/events
http://www.erratum.org/old/takahashi/

+

DJ TAPOL / DJ THIERRY BURNHOUT / DJ DR LIVINGSTON
!!!

18/09/2012 - 19h30

TABLE D'HÔTES YORINORI !

qf

ONLY KOREAN FOOOD, sur reservation :

yoribynori@gmail.com

repas / 10e

/ VHS63 /
tous les 3eme jeudi du mois, une selection de deux VHS exhumées des video-club et oubliées des réeditions DVD.

JEUDI 20 SEPT 19h30 - free

DEUX POLARS ITALIENS AU FORMAT VHS !

+ musique au kilometre + présentation des films + bar + petite restauration à l'italienne+

- - - avec - - -
- - -
( 1 ) - - - ROMA VIOLENTA / ROME VIOLENTE (1975) 
réa : Marino Girolami
avec : Maurizio Merli, Richard Conte, John Steiner & Ray Lovelock
- - -
Le premier forfait de Maurizio Merli en Dirty Harry à moustache. Ça flingue, ça cogne, ça claque. 
Et avec, en plein milieu du métrage, une putain de course-poursuite en Fiat 500 qui décoiffe méchamment !
- - -
- - - et - - -
- - -
( 2 ) - - - LA POLIZIA HA LE MANI LEGATE / LA POLICE A LES MAINS LIÉES (1975)
réa : Luciano Ercoli
avec : Claudio Cassinelli, Arthur Kennedy & Sara Sperati
- - -
aka LA BOITE A FILLETTES, un redoutable poliziottescho, confrontant manigances politiques et quotidien policier dans un climat de paranoïa typique aux années de plomb. Quand à la bande son de Stelvio Cipriani, elle est tout bonnement légendaire : http://www.youtube.com/watch?v=XGbtm4Ra8Uo

21/09/2012 - 20h - 5€

 

korean foood by YORI NORI !

+

VALENTINA VUKSIC
Valentina Vuksic is a computer artist and programmer based in Zürich. Her work is a personal exploration of the possibilities afforded by articulated hard- and software mediation. She approaches computer systems via inductive microphones for magnetic fields, so-called “telephone adapters." With choreographies for software and computer elements, she utilizes these as actors in software/noise pieces for, and in, computers. Vuksic considers time and space of computer processor and memory as levels of reality. Software being processed creates own temporal and spatial dimensions, which are staged for a public. She aims for a sensual experience of the analytical sphere becoming concrete, where logic encounters the physical world. The mechanic noises serve as mediators to a public. They reveal in an immediate way the activities taking place between computer processes in the widest sense and the computer electronics they are running on.
http://harddisko.ch/

+

 RYBN
RYBN is a multi-field artistic collective based in Paris / Berlin (2000) and specialized in interactive & networked installations, performances and interfaces, by refering as well to the codified systems of the artistic representation (painting, architecture, counter-cultures) as to the human and physic phenomenas (geopolitics, socio-economy, sensory perception, cognitive systems). Their axe of research : the construction of a "convergence semantics", through the coupling, the diversion and the perversion of writing and formalization tools connected to communication, information and sensory technologies - networks, data flows, smell, surveillance, audiovisual, interaction, real time.http://www.rybn.org/

+

NICOLAS MONTGERMONT
Nicolas Montgermont studies the relations between art, sciences and médium using the computer as a workshop. After a formation in signal processing, he studies sciences applied to music at the IRCAM center, being specially focused on real time control of synthesis. His creating work is the search of a numerical aesthetics, using and developing personal tools to explore the specific possibilities of the computer : network, algorithm, synthesis. With the chdh collective, he developps a work of audiovisual performance that is shown in many festivals in Europe and is continued by the release of a dvd, vivarium (arcadi / artkillart) in 2008. Since 2007, he also works with the Art of Failure collective mainly in the sound art field, for example on the Corpus project (CNAP / arcadi / CNC) of architectural vibrations. In parallel, he teaches the usage of the computer for creation at the Louis Lumière school, at the university of Tunis and in workshops.
http://nim.on.free.fr/about.php

+

DJ HORS-SERVICE
made in hs !

 

ARTKILLART
Since 2007, Artkillart invites artists to explore the technical and material limits of physical media. Through the production and distribution of works, which find themselves at the intersection of digital art and sound art, the label adopts a radical editorial approach, highlighting the process in an absolute sense, where a dialogue emerges between the digital and the analog. In our current age of the dematerialization of memory devices, and of a total foreseen digitization, Artkillart aims to resuscitate « obsolete » devices by proposing an unedited discourse on the semantics of materiality as well as entirely new incarnations of physical media.
www.artkillart.tk

-------

27/09/12 20h 5€

 

RE-DRUM
Re-Drum was founded in 2002 by Pavel Aleshin.
The sound of Re-Drum variates from deep drone/noise soundscapes at the first albums to light, warm,   even melodical textures at the last works
http://www.myspace.com/schweigen
+

Thomas Tilly aka TÔ
Artist-composer and self-taught musician, Thomas Tilly uses the microphone as his main instrument of work. In 2001 he creates Tô, a solo project of concrete music focusing on environmental sounds and found-objects manipulations. In this view, the composition and publication on disc of such sound material have to be considered as a sonic synthesis of a place during a certain periode of time. (N.B. this method requires to stay, observe and study the architectural aspects of the place in order to formulate a personal view and interpretation of it). The knowledge of Thomas Tilly is also used for sound-installations allowing to develop and enlarge the logic of specific datas collected in a place – via various systems of triggering/diffusion in situ.
http://thomas.tilly.free.fr/tohome.html

+

ANTOINE CHESSEX
short intervention
The works of Antoine Chessex have over the years crossed the boundaries between noise, modern composition, improvisation and electronic music. His background as a saxophone player saw him performing extensively in different improvised and experimental music contexts over the past decades.
http://www.soundimplant.com/achessex.html
+

PAQUOTTE / ANTEZ / CESARIO
are meeting in trio after a short residence in HS

http://www.antez.org/
http://www.arnaudpaquotte.net/
http://www.myspace.com/fabricecesario

ANTEZ
is a percussionist is a sculptor who explores the sound matter by interviewing the physical perception of sound. He call his instruments a device, he diverts the objects of their use. He studied drums with the musician Jacques Givry, electroacoustic music with composer Xavier Garcia. It play improvisation and offers sound installations, he has worked in theater, dance, film...  with bands: Art moulu, La Cellule d'Intervention Metamkine, A contrario...  Cie: Abîme, La Sallie, Ile désirée.
Musicians: Yann Gourdon, Seijiro Murayama, Tim Hodgkinson, David Chiesa, Jérôme Noëtinger...

ARNAUD PAQUOTTE 
times and works in Brussels. A musician and sculptor, his principal instrument is the electric bass guitar, which he plays in various musical groups, both improvisational and rehearsed, but always gravitating towards noise rock. He also continues to work on a body of solo recordings of multi-instrumental works. He has collaborated on many time performance projects—theatre with actors, with puppets, contemporary circus performances—for which he composes the soundtrack. His sculptural work is a bridge between sound installations and time performances, connecting the performance to the sound, and moving shapes to light. his fondness of sound machines stems from a series of formative experiences. First, he was exposed to electric phenomena in physics class in high school. Then, at age 14, he tried to take his motorbike apart, teaching himself mechanics in the process. Finally, he discovered acoustic pressure in his garage, by using an electric bass and his uncle’s old amplifier to make the windows in his garage vibrate. These important moments have lead Arnaud Paquotte to create sound machines made out of electrical motors, taught wires and cords, lamps, and bass amplifiers. His experimentation follows the principals of empiricism and entropy. His randomly calibrated machines surrender to their own unpredictability inside an electrified space. His process is a sculptural work, which plays out the dichotomy between machine and human, mechanical and haphazard, sound and performance.

FABRICE CESARIO
aka FA aka AIMER aka spirit of...

> has his sound machines spoken in an unprogrammed, eratic-by-nature langage and his complex interactive processes. The way he plays enslaves them and makes their potentiel outbursts improbable; folding them to full power equilibrium.They are still linked to their prime fonctions though allready full of bugs,loose connexions and draughts, tearing sounds and pattens from outer space.
> Instability born on a butterfly wing on 220 volts !!!

... times in analog waves.
-------


SCHKROOT LALA...
Le 23 août 2012 à 11:59, Gregaldur shtsrzyhzyhzyhzyhzyhzyhzyhzyhzyhtj,u a écrit :
"je suis gregaldur...j'ai un nouveau projet, duo electro rigolo noise déguisé qui s'appelle schkroot lala.. (cf photo et mp3). On sera en tournée en octobre, je me demandais si on pouvait pas se joindre à la prog avec jiflure le 10 (jean-françois plomb est un ami).. on a encore rien enregistré, à part une répète, du coup j'ai fait un mp3 à l'arrache"
mais bon , comme Super Jean François ne saura pas venir jusqu'ici , SCHKROOT LALA se retrouve en perdition au HS...

entre performance et rencontre du troisième type : extra-terrestres de papier fluos échoués sur terre et ayant absorbés d'un seul coup toute la musique depuis les années 90, ce qui donne des indigestions, et dans leur cas (étant donné leur métabolisme particulier) des éléctro-orgasmes ou des rires, on ne sait pas très bien.

+

DARK PROJECTOR
Le 5 octobre 2012 18:37, sonar-namel jusbec a écrit :
"c'est un show vintage 70, porno space,  ça s'appelle:"

DARK PROJECTOR, comment, dans le vide sidéral de l'être, une capsule spatiale s'égare dans l'antre-jambe.
Cyrille Flament (radio shellak) manie les projecteurs super 8 comme d'autres des machines à coudre.
Jean-Marcel Busson (Gol, Das Os, ghetto Blastard) trifouille les circuits électroniques comme d'autres des parapluies.

...

10/10/12 20h 5€

+
YORI NORI
+

CLIFFORD TORUS

The band "Clifford Torus" is :
Leon Barnett:              vocals, guitar, synth
Kjetil Brandsdal: baritone guitar
Anders Hana:   drums, synth

Here are some clips:

http://cliffordtorus.blogspot.de/

+

NELSON - MACHINE A COUDRE LA MUSIQUE

NELSON, c'est l'enfant bâtard d'une jeune telecaster et d'une vieille machine à coudre. Quand il chante, il fait vibrer sa fonte et craquer sa marqueterie en une ultime gueulante qui raconte ses emmerdes, la régression industrielle, le chevauchement des siècles, la fin du progrès et le début des regrets. Il te coud les tympans l'un à l'autre et te force à écouter les résonances dans ta cochlée. Il te casse le cosinus à angle droit et detempère tes rapports justes. Il tord son unique boyau sous un bottleneck hystérique, il t'arrache les cordes vocales et te les enfonce dans les trompes d'eustache. Il hurle plus fort qu’Ali Khan, et plus vite que Malmsteen.

HS63

hopstraat - 63 - rue du houblon
1000 BXL
tram 51/83 porte de ninoofsepoort

http://www.facebook.com/pages/HS63/336857423030531

16/10/12 - 20h 5€

21/10/12 - 20h 5€

MAGDA MAYAS & LAURA ALTMAN + BLOEM (Maurice Charles JJ & Anton Mobin)

Magda Mayas (piano)+ Laura Altman (clarinet)

Magda Mayas is a pianist living in Berlin.Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage.Alongside the piano, Mayas has recently been performing on a Clavinet/Pianet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices.Magda Mayas has performed and toured in Europe, the USA, Australia and Lebanon and collaborated with many leading figures in improvisation and composers such as John Butcher, Peter Evans, Annette Krebs, Phill Niblock, Andrea Neumann, Axel Dörner, Thomas Lehn and Tristan Honsinger.

+

BLOEM

BLOEM est la rencontre entre le saxophoniste Jean-Jacques Duerinckx (aka Maurice Charles JJ) et l’artiste sonore Anton Mobin. http://soundcloud.com/bloem-duo

MAURICE CHARLES JJ (be) Saxophones sopranino & baryton, drone tube http://soundcloud.com/duerinckx-jj
Instrumentiste, travaillant principalement la pâte sonore, le souffle, les sons multiphoniques, la richesse de timbre, les sons non orthodoxes et modes de jeux contemporains: il aime à évoluer dans un univers peuplés d'entités sonores étranges où le son se fait matière; il y puise son inspiration. Tout d’abord influencé par Steve Lacy, sa rencontre avec le saxophoniste français de renommée internationale Michel Doneda fût décisive.
L’idée d’utiliser la matière sonore de l’instrument comme vecteur d’énergie constitue un des points d’ancrage principaux de son expression artistique Dans l'improvisation musicale libre, il aime à partager ces moments uniques, subtils, volatils, fragiles, mais oh combien profonds, intenses et surprenants.
De part son parcours musical il fût amené à jouer avec de nombreux musiciens renommés improvisées libres tels : Lol Coxhill, John Russel, Paul Rutherford, Jim Denley, John Edwards, Jacques Foschia, Peter Jacquemyn, Tatsuya Nakatani Dan Warburton, Josep Maria Balanyà...

ANTON MOBIN (fr) Chambre préparée, objets, électronique, cassettes http://antonmobin.blogspot.com/
Producteur radio, il réalise depuis 2009 sa propre émission “A Maïzing Session With...”, un programme radio diffusé sur la webradio KKWNE et dédié à la musique improvisée, et depuis octobre 2012, réalise Epsilonia avec la Squadra Lumaca (deux jeudis par mois) sur Radio Libertaire.

ångstrom rec rebirth party
A.DETAPOL trio test press + GDZ + FUJAKO feat. BLACK SATURN + L.E.G. + plaplaPINKY + MOUCHE MAN

+
YORI NORI
+

Aymeric de Tapol, Talking with a dinausor, Alp10
"Trio test press"

w/ Yann Leguay, Patrick Thinsy, Frédéric Alstadt
"As you know in 2009 i've been recording at the GRM a pretty rare analog synthetiser, as there's only one. It's called the COUPIGNY. The record out of it is called TALKING WITH A DINAUSOR .
I've composed without any effect, some short pieces of concret/ frequencial music, but not only ... you'll see.
these are some raw materials/ composed and engraved: mater into the mater, signals
As petrol taken out from the deep oceans, this record is a kind of archive on wich i deliberately let the prints of my gesture in the recordings.
I'd love that you improvise with the test press of this record for the release party that will take place to the HS on the 3rd of november, as i know your attraction for that kind of tool and that i think you practice or have practiced, the record & the turntables.
I would be more happy of a such continuity for this project as this record has been made as other can continue to DIG."
Aymeric de Tapol (to the 3 perfomers)

+

GDZ, "The Lurkin' fear", Åep 08
"time from the living dead"

Sebastien Fauvarque, Ångstrom records co founder has left this dimension on the November 3rd 2008. He'll come back on this special nigth to present this unique posthumous record.
"time from the living Dead" is a performance for a dead, with magnetic sensors, aimed to interact with the sonorous world of the living ones

+

FUJAKO Feat. Black Saturn, Alp09
FUJAKO is a hiphop/concrete/dub/industrial project from Belgium/Portugal consisting of producers Ripit (Nyko Esterle from Solar Skeletons among others) and HHY (Jonathan Saldanha from Soopa and HHY & The Macumbas among others).
The debut LP "Landforms" has been released digitally on WORDSOUND and as a 2LP on ANGSTROM, featuring Mc's Sensational, Scalper, Seraphim, Cheravif and Native.
This fall, FUJAKO heats the road with geologycal MC Black Saturn (usa) and VJ Triangle Ange (the barrely human behind the flickering imagery of Otto von Schirach European shows) detimering enlightened landforms, words for you soul, Intestinal Bass and skull splitting Snares. A foggy journey of delayed time and where bass is the space.
Video from the set at Sonores Festival 2012:
http://youtu.be/KBbe9cW_M3U

+

L.E.G.
6.3.7. Aep11

Which words define their sound best? Music on Experience. "In the world of Brussels hip hop, L.E.G. are outsiders. Producing rap at once futuristic and Cosmo-driven, they differentiate themselves from their contemporaries through music influences gleaned from the world of experimental music, and through their use of distorted English language lyrics. Sublyme Diagonal and Roger3000 produce sounds at once ambiguous and profound, perpetually recycling what they produce independently from one another. The result is this 'sonic vessel' in which Citizen Ledge glides and finds his inspiration, recounting his doubts as to the future of the world and his own existential abyss.

https://www.facebook.com/pages/LEG/154704275080?sk=info

+

Plapla Pinky
noise + club = ?
comment concilier l'inconciliable ...
how to reconcile the irreconcilable ...
Shattered analogue synths and heavy bass pared right back to put this ghostlike electronica somewhere between concrete noise and expiatory dance.
http://vimeo.com/9672930
http://www.youtube.com/watch?v=9drTjSgn3mI

+

Mouche Man
Mouche Man is a Brussels based duet influenced by America and Sci-Fi. They detimer a sound tagged as : acid, roboccop, pro-one, Brussels, new beat.
The duet is composed of Johnny Superglu, belgian figure of the Skweee scene and of Sun OK Papi K.O. aka Sun PAPA, beat maker for the french/belgian/japanese trio Balaeine 3000 (released on Sonig).
Mouche Man times comes from Zero to be back to Zero, real time, machines, saturated guitar lines, and Roland synchro ... Back to the Old School !
http://www.youtube.com/watch?v=PIHNPQ0UUf8

03/11/12 - 20h 5€

ROJO -
- experimental electronic music improvised

Miguel A.Garcia - raw electronics
Xavier Lopez - ppooll

Basque artist Miguel A. García (also known as XEDH ) focuses on sound and its formal organisation, just between improvisation and electro-acoustic composition. His concerts put on show a combination of electronic sounds, field recordings and “real” instruments, aiming to get an intimate, immersive and intense experience.

Miguel A. García studied Fine Arts and Audiovisual Technology. He is also involved in projects like Mubles, Baba Llaga or Válvula Antirretorno. Besides his considerable production of CDs (in labels like Zeromoon, Homophoni or White Line) and numerous time performances in Spain (Museo Vostell, Arteleku, MACUF, Museum Chillida-Leku, Guggenheim Bilbao, Tabacalera, etc.) he has performed in the United States, Norway, Poland, Portugal and France. Since 2006 he has managed and directed the Zarata-Fest Festival in Bilbao, and owns two netlabels (Larraskito and Doministiku).

French and free-lance, mainly active as a improvising laptop player Xavier studied at Amsterdam’s Hogeschool voor de Kunsten. He’s now based in Paris since 2006.he develops an autodidact approach to laptop playing.The material he uses is rather minimal: sine waves, white noise, feedback, oscillators, most of his sounds are synthetic. His work as a sound artist is inspired by a broad range of aesthetics as well than other issues (perception, surroundings, survival, theory). During the last couple of years, he performed in Europe, Mexico and in the United States. Recent collaborations include Dafne Vicente-Sandoval, Audrey Chen, , Jassem Hindi, Pierre-Yves Martel, Juan Matos Capote, Alexander Bruck, Olivier Di placido, Lawrence Williams (…). He co-organizes since April 2010 the trashvortex concert series in Paris, focusing on EAI, noise, improv and free-jazz

http://www.uzusounds.com/rojo

04/12/12

SISTER IODINE (Editions Mego / Premier Sang)
Groupe pionnier et radical de la scène musicale française, SISTER IODINE cheche la confusion terminale entre rock et chaos assénée à coups de batteries primales et de guitares lacérées.
"On apprécie cette abnégation nihiliste à propager le bruit comme d'autres propageraient le Mal" Noise Mag
"Comme une coulée de lave industrielle, rageuse, urgente, immédiatement violente et bouleversée. Nous sommes à l’intérieur de l’intranquillité."
Joseph Ghosn

+

POPOL GLUANT (Hundebiss Records)
Popol Gluant est la créature obscène de Hendrik Hegray français, le gars avec la moustache derrière Couteau nazie, la conception observatoire extérieurcontemporain. Bien connu pour ses performances time intenses (comme Helicoptere Sanglante), la non-musique Hendrik est lave et crépitant fluorescente, le déplacement de l'obsession collage schizoïde avec le drone, en bordure de la parodie burlesque.

+
JEAN FRANÇOIS BLANQUET
Cherche dans l'empilement, la permutation, le débordement et le brouillage, une ré-écriture des média qui sont à notre disposition (texte, image et son). Il expérimente à l'aide de plusieurs procédés tels que l’émission/réception d’onde (radio, HF, infra-rouge, wifi), le feedback électronique et le larsen (table de mixage, effet, ordinateur, haut-parleur, microphone), la modification et la réappropriation d’objets audio-vidéo (circuit-bending, PureData), la voix le texte et le cut-up (sampleur, bande magnétique, supports digitaux, vinyle).
Intervient essentiellement en direct lors de performances en solo, en groupe, avec des compagnies de Danse ou Théâtre.
Travaille avec des objets bon marché, trouvés ou de seconde main. Fabrique des outils d'expression plus ou moins bien contrôlables. Est membre de DEMOLECULARISATION (projectsinge) et du Tetraedre (RadioPanik)
http://cromix.free.fr/
http://projectsinge.free.fr/

07/12/12 - 20h 5€

VINCENT EPPLAY & LAURENCE WASSER
Vincent Epplay (Artkillart, Brocoli, PPT steimbogen..) is a French sound artist. Since the early nineties, he develops an unclassifiable artwork exploring the interaction between sound process and visual shapes.
Reflecting his interest for a music that exceed the boundaries of time. He starts to develop a peculiar and prospective approach to electronic music, focused on aleatory composition, learnings of musique concrete and a poetic/humorous reappropriation of vintage sound & film material.
For HS he proposes a duo with the drummer L. Wasser , Forming in Brussels in 2001, Laurence Wasser's deviant sub-disco is for the future drudge.
www.viplayland.net
http://www.lawrencewasser.com/

+

SUZY VINCENS
Working with field recording , her sound is a kind of evolutive environmental printing with in she chooses to record.
With a training into electroacoustic , acousmatic such as IRCAM , GRM, and CESARE, her interest in sound pieces and performance is to develop new spaces researches/dimensions.
She is also involved and active in Radio Panik (105.4FM Bruxelles)

12/12/12 - 20h 5€

D'INCISE
un solo mêlant des matériaux issus de la pratique improvisée (les objets métallique joués surtout à l'archet) et une approche plus conceptuelle et composée, un travail sur la durée, la permutation, le développement d'un "système", une forme de jeu ou à partir d'un nombre restreint de matériaux sonores, les possibilités sont multipliées dans un long continuum.
http://www.dincise.net/

+

ARNAUD RIVIERE

Il y a un disque sur le plateau. il tourne. Je manoeuvre le bouton d’arrêt : impossible de l’arrêter, il tourne de plus en plus vite, l’aiguille ne peut pas suivre, le bras prend d’extraordinaires positions, l’intérieur du phono ronfle comme une chaudière, on voit des espèces de flammes, et le luisant du disque noir, affolé ; d’abord l’idée que le phono va se détraquer, une angoisse limitée, puis qui devient immense : TOUT va exploser ; une rébellion magique, incompréhensible, c’est un dérèglement de tout. […]
Quel ravage ! le bras réduit à une espèce de brindille tordue, l’aiguille pulvérisée, le disque pulvérisé, le plateau déjà attaqué, les accessoires anéantis, et la maladie continuant à couver à l’intérieur de la machine."
Simone de Beauvoir

Traficage au rayon bricolant : tiges de ferraille dans la table de mixage, pas forcément filetées et pinces croco multicolores, ça rentre la sortie dedans. C’est pas du tout fait pour mais ça n’empêche. Un électrophone, plutôt plastique, vive l’explosif, mais renforcé pour encaisser. Tant que ça tient. Pas forcément des disques et même certains en métal, et d’autres. Au contraire des capteurs aussi qui se collent là où ils tombent, ou pas, pas toujours. Sur et avec des ressorts, en revanche. Bref, sinon, feedbackophile non repenti mais avec les mains, Arnaud Rivière se débrouille avec l’accident et le virage. http://http.http.http.http.free.fr/

+

MACRO VIDEO par Jérôme FINO
“Lʼidée cʼétait de documenter tout ça”.
Commencé en 2008, ce projet juxtapose des improvisations de différents musiciens expérimentaux. Chaque session filmée est recomposée au montage, les séquences focalisent sur les détails des instruments et la gestuel des musiciens. La mise au point est bloquée à quelques centimètres, l’espace environnant disparaît, la caméra devient une machine à décortiquer la fabrication du son.
Artiste-vidéaste Jérôme Fino questionne tout d’abord les liens entre le film et sa bande sonore. Il réalise de nombreux projets sur la musique improvisée et liée au mouvement du DIY. Les pratiques du détournement sont les bases de ses films qui se situent à la frontière du documentaire. Archiviste sans compromis, il dresse une image fragmentée de l’agitation durant des performances.
http://azertyuiopqsdfghjklmwxcvbn.org/

11/11/12 - 20h 5€

ANTOINE LÄNG
As a soloist, Antoine Läng’s approach to the voice is an ongoing process primarly focused on sonic experimentations and extension of his vocal range to the limits of what his body may allow. Inspired by electroacoustic and contemporary aesthetics, he focuses on the extraction of occurring elements in the vocal spectrum or appearing accidentally that may be be reproduced, isolated or recombined to create musical material. Radically acoustic - the sound of the voice being filtrated or directed with the only help of brass megaphones - his actual solo work, rather than simply presenting an extended vocal toolkit, remains highly subjective as the techniques he uses are intended to challenge the resistance of his body to reveal, through improvised pieces, landscapes of personal geography including physical and social sides in the use of the voice as well as its specific dynamics and diffusion as an acoustic instrument.
http://antoinelang.tumblr.com/

+

RAPHAËL ORTIS
Bass player and composer, draws an inspiration ceaselessly renewed to the sources of his multiple musical memberships. Inspired by the freedom of the improvised music as much as by the rigor of the orchestral writing, he chose an approach determinedly turned to the use of the instrument in a non conventional way.
http://www.ortis.ch/

15/11/12 - 20h 5€

MRI
Patricia Bosshard and Simon Grab have both been delighted of the harsh sounds of the MRI scanner, when they ended up in the magnetic resonance tube at a hospital due to an accident. Bosshard and Grab, always in the research of the unheard, translate this unusual acoustic situation into music.
Patricia Bosshard (1965) is a composer and violoniste from Lausanne, having a musical background both in jazz as well as in electronics. Besides numerous gigs in the free impro-scene, Bosshard collaborates with the video artist Nicolas Wintsch, composes orchestral music for film. She recently produced the acoustic signals for the Metro M2 in Lausanne.
Simon Grab (1971), co-founder of ganzerplatz studios, has been an active musician, soundartist and producer in a wide range of musical contexts, from noise performances to radio experiments, as a producer of westafrican clubsounds or composer for film- and theatre soundtracks. Simon Grab times and works, at least in summer, in Zürich.

http://everestrecords.ch/artists/mri

+

FORMANEX

Formé fin 1998, Formanex est un ensemble électro acoustique centré sur l’improvisation et l’interprétation de pièces expérimentales dont principalement le Treatise de Cornelius Cardew que leur a présenté Keith Rowe dès leur formation. De trois membres à l’origine ( Emmanuel Leduc, Julien Ottavi, Anthony Taillard ), la formation est restée plusieurs années en version quatuor avec l’arrivée de Christophe Havard. Puis elle est considérée à dimensions variables depuis les collaborations d’autres musiciens à l’ensemble

http://formanex.free.fr/#

29/11/12 - 20h

 

• +YORI NORI+


• KLONDIKE

• solo project from a Robonom (nantes, fr) member, now living in Montreal, Canada. Expect caughing robots whispering love words while enjoying domestic lagers ..
• http://vimeo.com/39786476
• http://www.youtube.com/watch?v=ZNp8PFRYjZ0

http://www.martialfunk.net/artists-label-martialfunk/klondike

• +

• SAM RUSHTON / CYRILLE FLAMENT

• d = 2
• La théorie du zig-zag interdit ou comment le silence va plus vite à reculons : triple projection Super 8 pour laquelle King-Kong préfère les blondes aux bananes. Cyrille Flament manipule les projecteurs comme d'autres des machines à coudre, et Sam Rushton les interconnecte avec ses synthétiseurs modulaires pour faire reculer le silence.

08/01/13

+yori nori +

Juan Cantizzani, Spain.
He is working on the field of sound, space and perception in form of site-specific sound installations, live performances or research projects.
Since 1999 he is working on cultural and artistic production programs with projects like Sensxperiment www.sensxperiment.es or Andalucía_Soundscape www.andaluciasoundscape.net
For HS space he proposes a solo intervention called "SPS - Sound Perception Study", in wich he explore physical characteristics of constructed space as potential acoustic instrument and exploring sound reproduction systems and its location on space, developing here a new study on the poetics of space and time from an aural perspective, dialoguing with architecture, spatiality and environment, generating new perspectives of acoustic space.
info: http://juancantizzani.wordpress.com/

+

Riojjm et Juan River se connaissent de longue date. Ils ont décidé qu'il était temps de lancer ce duo : un ciné concert improvisation, images en 16mm trafiqués en laboratoire, explosion de couleurs, son électronique, dérive de circuits, chants lo-fi. Une innocence psychédélique dans un monde noir et blanc.

http://www.youtube.com/user/donjanyol?feature=watch

+

DJ ATKA & MOXIA

24/01/13

DIEB13 + OLIVIER TOUTLEMONDE / MICKAEL THIEKE + PABLO SANZ

Dieb13
is the performing name of Dieter Kovačič, a Viennese based avant-garde musician. He has also performed under the names Takeshi Fumimoto, Echelon, Dieter Bohlen, and dieb14. After appearing on several compilations documenting the burgeoning Viennese avant-garde scene of the late 1990s, he released his first solo album in 2000. He has gone on to perform in a number of collaborations with other notable performers, includingBurkhard Stangl, erikm, Mats Gustafsson and the John Butcher Group.
http://dieb13.klingt.org/

+
Michael Thieke et Olivier Toulemonde
se sont rencontrés à Berlin et travaillent ensemble depuis 2010. Un CD du duo sortira début 2013 sur le label Anothertimbre. La musique du duo est un mélange de souffle et de frottements. Tout est entièrement acoustique, très calme, fragile, jamais démonstratif mais toujours présent.

Michael Thieke [clarinet | composer/performer] The Berlin-based clarinetist Michael Thieke is equally at home across a broad range of musical environments, such as experimental song forms, collectively composing projects, improvising collectives, and music on the fringes of jazz. He is exploring the minutiae of sound, timbre and noise, with a particular interest in microtonality and related sound phenomena, and with a preference for long-term collaborations and collective work.
http://www.michael-thieke.de/

Olivier Toulemonde [improvisation / Performance / Phonographie / Installations sonores / Création Radio]
Joue des objets acoustiques et des ressorts amplifiés. En 1994, il participe à la création du Collectif Ishtar (Bourg-en-Bresse) et entame ses premiers travaux de musique concrète au studio Collectif & Cie (Annecy). En tant que musicien, il pratique l'improvisation sous sa forme la plus libre, dans un travail lié à l'écoute, la recherche sonore et la projection dans l'espace. Il a joué dans de nombreux festivals,
Tous les Objets qui servent à enfoncer des Clous ne sont pas des Marteaux
http://www.olivier-toulemonde.com/

+

Pablo Sanz
is a Spanish sound artist currently based in The Netherlands. His activities are engaged with the act of listening and the exploration of aesthetic and spatial aspects of sound through phonography, site-specific projects, live performance and fixed media works. Interrelations between hearing, time, space and location and phenomena in the thresholds of perception are some of the essential focuses in his practice.
http://www.pablosanz.info/

14/02/13

En parallèle au carnaval du canal qui aura lieu le 2 Mars et partira du Jeu de Balle pour finir au RTT, nous vous proposons deux films qui nourrirons votre appétit de collectifs communs de communes comme les autres comme qui dirait et votre soif d'activité activiste activement actée en tant qu'acteur de votre temps, bref on en discute....

HS 17 02 13 DIMANCHE ! FREE !

La bataille des Marolles

Pierre Manuel & Jean-Jacques Péché, 1969, BE, vo fr st nl, 60'

Il était une fois un monument plus vaste que la Basilique Saint-Pierre : un Palais de Justice qui, non content d’avoir englouti tout un quartier pour s’imposer dans le centre de Bruxelles, finit par vouloir s’agrandir encore. A nouveau, les Marolles sont menacées. Ses habitants s’organisent. Contre l’arrogance d’une ville qui cherche à se construire sans eux, ils font fonctionner la solidarité et l’imagination à plein pot... Un célèbre abbé, un facteur, un peintre, des lieux, des cafés, des fêtes, composent l’atmosphère particulière de cette "bataille" qui deviendra à la fois symbole de la résistance locale face à la "bruxellisation" et étendard de luttes urbaines à venir. Voici le récit documentaire qu’en fit la télévision. Un film sensible et audacieux, comme le service public savait en faire.
La bataille du canal

POA-PTTL, 2011, BE, video, vo fr, 20'

Un vrai film historique mêlant le ton de l’humour noir à celui d’un faux reportage de propagande... inspiré en droite ligne du langage du monde de la promotion immobilière, des pouvoirs publics et de la presse au sujet de leurs appétits sur le canal et ses abords. Il vous fera découvrir quelques-uns des projets pharaoniques que certains investisseurs privés caressent pour "réhabiliter" cette partie de Bruxelles, qu’ils perçoivent comme un nouvel Eldorado. Un plongeon qui vous fera rire ou pleurer, c’est selon...

17/02/13

MIK QUANTIUS is a vocalist from Germany, and is probably known best for his vocal work with german prog/kraut rockers Embryo. Since a few years he has also been doing amazing solo performances and released a killer solo record. His solo work consist of improvised vocal work combined with keyboards that he not only plays with his hands but also with his shoes, and more crazy percussion. This tour he will be playing shows with Thomas Hopf on percussion who has spend many years playing with Damo Suzuki.
http://www.myspace.com/mikquantius
http://www.youtube.com/watch?v=15iHS7Ohd-4

+

DAGORA is a trio from Amsterdam playing free improvised noise. Two drummers and one madman with a suitcase of self made acoustic and electrical goods. Varying from the quiet bells and echoed vocals of the mountain dreamers to the noisy interference of the satellites in the sky’s, cymbal wash, circuit bent toys, home made clarinets, drums, leads and sockets, clicks and thuds all co-exist, sometimes fighting, in this our world of sound.
dagoramusic.com
www.soundcloud.com/dagora
http://www.youtube.com/watch?v=L9NSdMiKYlc

BEN MILLER, guitar, alto sax, multiphonic guitar, vocal, composer :
Sproton Layer 1970
Destroy All Monsters 1977-78
Dirty Old Man River 1997-2000
Ben Miller solo multiphonic guitar 2000-present
The Sensorium Saxophone Orchestra 2008-present
member of Glenn Branca Ensemble since 2011
www.benmiller.info
http://benjaminmiller.bandcamp.com/album/eyelands-under-eyelid

 

YANNICK FRANCK, musician, performer and curator of Idiosyncratics label, Yannick Franck has developed an increasingly personal style that combines sharp acoustic research and abrasive walls of sound. Often described as trance-inducing, his music is based on the treatment of sources such as instruments and non-musical objects, voice, radio signals and field recordings. It ranges from fundamental acoustic explorations (The Staircase Continuum) to more stylistic-expressionistic searches (Memorabilia); two fields of investigation that tend to collide in his latest works such as Hierophany (that has just been released on Russian label Monochrome Vision) and The Utmost Night (to be released on Taâlem recordings).
Franck is part of electroacoustic-noise improvisation project Y.E.R.M.O., with guitar player Xavier Dubois and drummer Jason Van Gulick. They have collaborated with artists Gast Bouschet and Nadine Hilbert on a number of projects. They created soundtracks for the artists' political installation Collision Zone, held at the Pavilion of Luxembourg, Venice Biennial 2009. Additional collaborations include their intense audiovisual performances, Things to Come, Collision Zone, and Toward The Event Horizon."
In the past, Yannick Franck has collaborated with Pietro Riparbelli / K11, Craig Hilton (Gauchiste, Loincloth), Phil Maggi, Alan Trench (World Serpent, Temple Music) and Esther Venrooy among others and his music has been released on several labels including Silken Tofu, Young Girls Records, Sylvain Chauveau's concept record house Onement and Italian label Silentes.
He has performed in many venues and international festivals.
www.yannickfranck.com

11/03/13 20h

PIERCE WARNECKE (us/de)
VARIATION
Nothing is connected, everything is isolated.
Beginning with all objects exposed in their most reduced state, the piece develops as cable and device connections are made by the performer. ‘Variations” uses electrical hums and various types of feedback (room, mixer, computer) to build improvised layers of drone and noise, broken by field recordings and realtime object manipulations processed via custom software.
Pierce currently lives in Berlin where he is following a Meisterschüler Program at Universität der Kunst. He works as
programmer and sound designer, and co-curates the Emitter Micro festival and record label. He has performed with artists such as Phill Niblock, Gino Robair, Louis Laurain, Yoann Durant and Pierre Borel and tours regularly in Europe and the US. He has presented his works in such places as Ausland (Berlin), LEAP (Berlin), FEED (Berlin), Harvestworks (NY),
Luggage Store Gallery (SF), Berklee College of Music (Boston), CalArts (LA) as well as festivals such as Zero1 Biennale (San Jose), Transmediale (Berlin), Lab30 (DE), Boston Cyberarts, SXSW Interactive, Visionsonic, Optica, LPM, Mal au Pixel, Videoformes and more.
http://piercewarnecke.com/

+

GABRIEL LECUP (ar/be)
AUSCULTATION PUBLIQUE
Aylen Torres l Milena Flores l Gabriel Lecup

Aylen est malade. Elle a le coeur qui s'emballe, le souffle court, la langue pâteuse, et des frissons dans tout le corps. Dans sa tête c'est pareil: ses sens la trompent, sa raison lui échappe, les images et les sons sont amplifiés et déformés, elle se sent observée, mise à nue …
Elle a rendez-vous au cabinet HS63 avec les docteurs Mile et Gab, qui tenterons de diagnostiquer l'origine de ce mal mystérieux avant qu'il ne contamine toute la salle.
(événement couvert par votre mutuelle)

+

CARRAGEENAN
Il s'agit du projet solo de Matthieu Levet (également membre du duo Vermisst Susi), à travers lequel il explore des sonorités proches d'une certaine techno minimale, industrielle et décharnée.

about "midnight bird" golden lab records 2011
Matthieu Levet aka Carrageenan is a Parisian living in Brussels. He sets up a trestle table in the centre of his living room, loads it up with Casios and pedals, drinks (we imagine) a bucketload of pastis and then blasts this stuff out at neighbour-waking levels. Each of the five short tracks here is a splurge of electronic tonal and atonal dribble. It sputters and froths, a Satanic soothing, sitting at the pit of your stomach like battered gnocchi. Beautiful in the non-shallow way.
http://goldenlabrecords.wordpress.com/releases/

http://soundcloud.com/carrageenan
http://www.youtube.com/watch?v=KEOzzrxFMV0
http://www.youtube.com/watch?v=oNUar4VjRwg

15/03/13 20h

23/03/13

+yori nori+

 

FRITZ WELCH

Fritz Welch is determined to stretch the escalator of possibilities into the bloodshot eye of results.  He employs drums, ink, voice, objects, movement, paint, collaboration, green fog, words and various asunder.   He is or has been a member of Asparagus Piss Raindrop, Brittle Hammer Trio, Drummer's Corpse, FvRTvR, Irritating Horse Eye, Ki, Lambs Gamble, Peeesseye, Reel Speed Artist, The Final Five, W!77iN6 and With Lumps. He has played with Blood Stereo, Chris Heenan, Clare Cooper, Evan Parker, Moya Michael, Daniel Carter, Iain Campbell F-W, Andre Stitt, Jazzfinger, John Butcher, Joke Lanz,  Julia Scott, Liene Rozite, Maya Dunietz, Michael Vorfeld, Mike Pride, Stephen O'Malley, Tony Conrad and Usurper among many others.  A longtime Brooklynite of Texas origins, he is now based in Glasgow, Scotland. www.humansacrifice.net

+

SEC_

is the moniker of Mimmo Napolitano, b. 1985, electronic musician and composer from Naples, Italy. He plays tapes, laptop, synthesizers and electronic devices, both in solo and in several projects of experimental music and improvisation. Co-founder, in 2003, of the avant-rock band Weltraum and of its harsh-noise appendix Endorgan, since 2008 he collaborates with electro-acoustic/impro band A Spirale, giving life to the duo Aspec(t), in which musique concrete and electro-acoustic/feedback experimentation merge with the noise poetic, and to the supergoup Strongly Imploded, post-core band with a syncopated aggressive mood. With these formations and in solo, he played concerts around in Europe, in heterogeneous situations (festivals, clubs, squats, museums, open spaces, record shops,...), collaborating with several musicians and improvisers (Jerome Noetinger, Andy Guhl, Dave Phillips, Valerio Tricoli, Olivier Di Placido, Franck Vigroux, Ignaz Schick, Mario De Vega,  Burp Enterprise, Basshaters, Nicolas Wiese, Domenico Sciajno,...). Since 2009 he runs the label Toxo Records, which releases most of his records. In 2010 he starts a collaboration with the actress/performer M. Della Morte, giving life to The Obscene Bird Of The Night [L'osceno uccello della notte], a cruel-mood performance in which musique concrete and noise improvisation mix with a new gestual body practice, on the edge between Kabuki and new Aktionism. http://www.toxorecords.com/sec_/

+

LOUP

"New duo from 2 Lyon's activists - closely related to Grrrnd Zero and Gaffer Records .
LOUP sounds like the perfect exemple of this new "made in France" generation
in their search for the establishment of an other "experimental" french identity.
They then unconsciensly shake things and leave the tradition behind...
LOUP is a mix between free-jazz, drone and noise, captured in a voluntary, affirmed and exciting flux,
which gave them the opportunity to support bands such as Rangda (Chris Corsano, Rick Bishop, Ben Chasny)
and The Thing ( Mats Gustafsson's trio) with Otomo Yoshihide; LOUP sounds definitely right !". http://www.loupduo.fr/

+

DJ LVG_STN

(19 March 1813 – 1 May 1873) was a Scottish pioneer musical missionary with the Angstrøm Label Society and an explorer in record industry. His meeting with H. M. ST_NL in October 1871 gave rise to the popular quotation "Dr. Livingstone, I presume?"
aka Fred Alstadt.

ROBERT PIOTROWICZ

is a sound artist, composer, improviser.
Co-founder of the Musica Genera Festival and the Musica Genera label.
He has authored radio dramas, sound installations, and music for theatre productions, and collaborates regularly with other artists on audio-visual performances. As an instrumentalist, Piotrowicz works mainly with his own live performance setup, developed around the electric guitar and analogue modular synthesiser. His music has as much in common with contemporary electro-acoustic compositions as it does with sound art. His concerts feature saturated, detailed musical forms created with analogue synthesizers and computers. He has developed his trademark sound of intense dynamics seized in dramatic and balanced structures.
PIotrowicz has released several solo albums as well as collaborations with artists such as Burkhard Stangl, Anna Zaradny, Jérôme Noetinger, C. Spencer Yeh and Kevin Drumm. Other collaborators in recent years included Valerio Tricoli, Oren Ambarchi, Martin Klapper, Zbigniew Karkowski, Łukasz Szałankiewicz, Lasse Marhaug, John Hegre, Kasper Toepltz, Xavier Charles,Tony Buck and others. http://www.robertpiotrowicz.net

+

MAXIME DENUC / JEAN PHILIPPE GROSS

Analog synth duo

JEAN PHILIPPE GROSS, Born in 1979. Before turning to electronic he was playing drum. Since 1998 he plays electronic with a mixing board, microphones, speaker cone and with a serge modular synth. His work is primarily focused on feeback. Mostly performaning live, he is also creating sound/music for dance & theater. He is collaborating with various musicians, among them with Xavier Charles, Clare Cooper, Jérôme Noetinger, Lionel Marchetti, Franz Hautzinger, Will Guthrie, Jean-Luc Guionnet, Pascal Battus, John Hegre, Jazkamer. From october 2001 to june 2009 he was engaged as a program curator in the association Fragment (Metz, France). jxpx.free.fr/

/

MAXIME DENUC, starts composition during his adolescence.He joins the electroacoustic class of Bertrand Dubedout  at the Conservatory of Toulouse in 2005 and studied instrumental composition with Guy Ferla.
From 2008, he began a collaboration with the choreographer Samuel Mathieu with Yan , for which he writes for a set of Chinese traditional musicians.
Several other pieces will follow, including Generic-X, created in Japan in 2009, and L'Homme Qui Plonge in 2011 for which he composed a string quartet. He also collaborates with the Egyptian director Omar Ghayatt.
Alongside his work for performing arts, he creates with Raphael Hénard the electronic music duo Plapla Pinky. The band plays in many venues and festivals around the world  (Sonar Festival - Barcelona, Centre Pompidou - Paris Club Metro - Kyoto, Club Maria - Berlin, Tod, The Hague, Le Lieu Unique - Nantes ...) and released his first album on the French label SONORE in 2011.
In 2010 , Maxime creates RCRCR an electroacoustic piece based on the work of JS Bach commissioned by the Ensemble Baroque de Toulouse . The same year, he composed "Low", an instrumental piece for 3 preteens trombonists ,

www.maximedenuc.com

+

JULIE ROUSSE

Born in 1979. Lives and works in Paris. Composer, improviser. Laptop. Fieldrecordings. Dreams.
Self-taught sound artist, it is in theatre she made her first steps as a noise composer in Montreal.
Collector of sounds she finds in the streets of the world, this raw material is for her an infinite source of rhythms and colours, which she shapes with real time sound treatment software – real time being the essential element of her spontaneous and chaotic approach.
Her main idea is to regain an organic feeling in music by means of electronic devices and improvisational acts. Working between composition and improvisation, she has developed her very own resonant and poetic universe, with a marked taste for abstract narration, turbulence of details and inextricable disorder of life. http://julie.la.rousse.free.fr

+

8.0
8.0 is 8.0
8° + 0° = + (_) - = ∞
smells_like_teen_spirit_and_strong_beer

02/04/13 20h -

30/03/13

J'ai préparé une fumée pour toi :
La Commune de la Chèvre

 Dans un rituel il y a de la musique, des chants, des danses, des gestes et des objets codifiés;  des vêtements, des paroles poétiques, une dramaturgie qui ordonne un assemblage symbolique. C’est reunis dans la forme du rituel que les arts cloisonnés que nous connaisons aujourd'hui trouvent leurs origines. Que fait-on du rituel dans l'art ? Que se passe-t-il à la frontière de ces formes aux racines communes ? La Commune de la Chèvre pille la richesse symbolique et poetique du rite sacré pour faire valoir sa capacité à produire du commun.
 Dans un tel cadre une évidence émerge : il ne peut y avoir de public, seulement des participants. Accompli dans la beauté fasse que tu marches. Passeurs inspire/expire, Drumer tellurique, Grilladeurs et Shaman aware vous accueillent.

a HUGE program with les Ateliers Claus and KRAAK :: www.lesateliersclaus.com/

SONIC PROTEST :: www.sonicprotest.com/

HAPPENING / video - l'improbable
vidéo-transportation d'un musicien ou groupe de musicien
Les happening sont tels des visions de Al écoutant Sam dans Code Quantum.
Plus simplement c'est des concerts / tournages improvisés, qui ne se feront qu'une fois...

+

PORTABLE NOISE KREMATOR
Building his own instruments and growing steadily more and more electric while doing so, Portable Noise Kremator, in his definition of decayed music, is continuously rolling back and forth between doom and trash, acid and drones, destroying furniture and falling of tables.
From a mutated review of Angst at 3 AM (by Portable Noise Kremator) on a Russian site we quote: “The inside horror designated as doom trash noise is incredible, thickened, hardly turned, damp and beast. Roar, which goes even not from the stomach, but from somewhere from the bottom of rectum, that is choked and crippled in. Total. Low. Meat. And present swamp. Honest and very correct underground – neither gram of prostitution nor on what. Outstanding work. I do not hide the enthusiasm from this plate. To the judges of sonic mud of quite bottom-dwelling manner – it is compulsory to focus attention.”

http://www.facebook.com/mangenerated
http://www.youtube.com/watch?v=5bs2WFyx0nk

+

LES ELEVES DE MICHEL DUJARDIN
jouent “Burdocks”
de Christian Wolff.
France
Potagers natures
La partition peut sembler un calque à apposer sur une carte pour trouver un trésor mais les cartes sont innombrables : un ressort, une fenêtre ouverte, une corde, un cri, une lamelle de bois, un public... Les indices, eux, sont minces, si ce n’est que les fruits de la bardane (“burdocks” en anglais) sont ces petites boules recouvertes de crochets (des hampes ?) que nous disséminons à notre insu en flânant. Est-ce ça ? Est-ce un autre indice que la racine de bardane combatte l’acné et freine la chute des cheveux, contrariant ainsi dans un élan unique les symptômes de l’adolescence et ceux du vieillissement ? Seules certitudes, “ Burdocks ” est une composition de Christian Wolff écrite entre 1970 et 1971 et dédiée à Merce Cunningham. Ses dix parties, dont aucune n’est obligatoire, peuvent être jouées continuellement ou simultanément par un ou plusieurs groupes d’instruments. Ici : guitares électriques, marimba, gaffophone, violon, basse, flute traversière, synthés. Les neuf musiciens Bordelais qui jouent ici gravitent autour du Növö Local et du label Les Potagers Natures comme des abeilles butinant à la fleur de bardane. Avec des membres d’Api Uiz, de Chocolat Billy, de France Sauvage et du Cercle des Mallissimalistes. Entre autres.
http://fr.wikipedia.org/wiki/Christian_Wolff_
(compositeur)

+

COMPUTER PIPA
Laurent “Kink Gong” Jeanneau & Li Dai Guo
France / Chine
Future Sound of Folk
Computer Pipa est le fruit d’une rencontre entre l’improvisateur chinois Li Dai Guo et le musicien ethno-musicologue Laurent Jeanneau alias Kink Gong. Avec ce projet, les deux musiciens mélangent leurs mondes, où se
confrontent les sonorités acoustiques du pipa, divers traitements électroniques, et des sons mystérieux issus de la collection des enregistrements de terrain réalisés par Laurent Jeanneau depuis la fin des années 90 à travers le monde.
Ethnologue DIY, c’est sous le nom de Kink Gong que le musicien français Laurent Jeanneau installé dans le Yunnan (sud-ouest de la Chine) documente et enregistre depuis la fin des années 90 les musiques des minorités ethniques principalement d’Asie du Sud-Est, pour beaucoup menacées. Pisteur de singularités sonores puisées au bout du monde, Laurent Jeanneau enregistre les scènes du quotidien d’Asie du Sud- Est, avec son micro et son sac à dos. Les sons, ensuite publiés sur son label King Gong, font de cette démarche musicale originale un véritable voyage sonore. En plus d’auto-produire une centaine de cds de musiques ethniques (pour la plupart inédites), il collabore également avec des labels comme Sublime Frequencies, Stembogen, Atavistic, Staalplaat ou Discrepant. En Europe à l’invitation du festival Sonic Protest, il présentera une conférence-séance d’écoute, il montrera des films autour de ses travaux (archives de la performance Erhai Floating Sounds, avec Julien Clauss et des extraits du film réalisé sur lui par David A. Harris) et jouera le projet Computer Pipa aux côtés de Li Dai Guo.
http://youtu.be/BWzNyvidiX0
http://youtu.be/VMHw5na1Ka8
http://amour-discipline.org/zine/laurentjeanneaus-ethnic-discrepancies/
http://www.quaibranly.fr/fr/programmation/les-rendez-vous-du-salon-de-lecture/zoom-sur-lenomadisme/decouvez-les-enregistrements-delaurent-jeanneau.html
https://soundcloud.com/kink-gong

+

FLO KAUFMANN
Suisse
Bricoleur universel
Originaire de Soleure (Suisse), Flo Kaufmann a baptisé ses activités musicales “ bricolage universel ”. Parfois il est plutôt technicien, puis plutôt musicien. Parfois il est plutôt designer,
puis plutôt artiste conceptuel. Ses travaux et ses collaborations rendent quoi qu’il en soit obsolètes les catégories stylistiques et artistiques traditionnelles. La volonté de défricher de nouveaux territoires dans les domaines de la technique, de la musique ou de la communication traverse son oeuvre multiforme : construction de générateurs et d’appareils analogiques de traitement des sons, installation avec des canettes de boisson en guise de procédé d’enregistrement, approche expérimentale de la gravure de vinyles et utilisation d’un graveur sur scène aux côtés de Christian Marclay, mise au
point d’un synthétiseur vidéo ou productions multipistes, tout cela fait partie du monde de Flo
Kaufmann.
http://www.floka.com/
http://youtu.be/EDJ3XAunS2s

+

LA CANAILLE ! dj set

weird & childish electronic music !

19/04/13 20h -

KONRAD KORABIEWSKI (is)
Polish | Danish Konrad Korabiewski (1978) is an award-winning experimental multimedia artist, currently residing in east coast of Iceland. As a soundartist, composer and media artist, Konrad Korbiewski has a minimalist, yet detail-oriented unconventional and experimental approach in his way of working and feeling. Focused on absorption, content and substance of art rather than a certain media, he experiments and develops new possibilities for expressing philosophical views and artistic ideologies in sensing music and art. This is also highly visible at Korabiewskis live performances, where he involves other actors and medias to add layers and new dimensions to his music, sound and radio art pieces, installations and videoworks. As with his latest pioneering and prize awarded crossover, interactive art-book project Affected As Only A Human Being Can Be with the mixed media artist Litten.

Konrad Korabiewski’s musical atmosphere is sombre, intense, distorted, and has a profound sence of musical space and depth – at times with a meditative character, slowly developing transitions and blooming characters that demands and attracts attention in minimalistic scenarios of sound.
By international press his musical expression is often compared to Norwegian ambient master Biosphere – “only darker and more industrial”.

Konrad Korabiewski is currently a project manager of Skálar – Centre for Sound Art and Experimental Music, and running a Gallery and Art studio HOF in Seydisfjördur, Iceland.
http://korabiewski.com/

+

PAS (us)
PAS started in 1995 out of Brooklyn, NY, USA, driven by the creative talents of Robert L. Pepper working in the mediums of sound and video. Since then PAS has evolved into a collective with many different instrumentations and lineups. Permanent members include Amber Brien, Jon “Vomit” Worthley, Michael Durek, and Robert Pepper. Guests and occasional collaborators include, Brett Zweimann, David Tamura, Jim Tuite, Brandstifter, Robin Storey, Philippe Petit, ZEV!, HATI, Steve Beresford, Will Seesar, Matt Chilton (Vultures), Anthony Donovan (Vultures), Damien Olsen, and many others.
PAS have released 10 full length releases and have been on several compilations throughout the years. Some of these can be found on www.alrealonmusique.com, www.cdbaby.com or iTunes. PAS have performed in 13 countries and all throughout the United States. Sound and video installations have also included Chile and the United States. PAS have also performed at Fausts Avant Garde Festival 2009 and 2010, the 18th Olympia Experimental Festival in Washington, the 2010 Spark Festival in Minneapolis, and the 2011 CoCArt Festival in Torun Poland.
PAS also curates events in New York such as Experi-MENTAL nights, Ambient-Chaos nights and the Experi-MENTAL Festival once a year at Goodbye Blue Monday.
http://pasmusic.weebly.com/

+

DMC (fr)
D.M.C. (aka Darby Mullins, Guillaume Gaborit, Denis Mc Carty, Benoit Hixe, Albert Gandz, Sidi Diara, William Zorzan, Billy Baire, Henry Wong, Phineas Bounce, membre du Friture All Stars) né en 1976 (37). Etudie aux beaux-arts de Montpellier et du Havre. Vie et travaille vers Lyon (69). Fonde en 2001 avec Ax Delbor, Ayato, Anton Mobin, (entre autres) le collectif/label H.A.K. Lo-Fi Records. Audiophile, chroniqueur, plasticien sonore plutôt que musicien.

http://denismccarty.blogspot.be/

+

ARNAUD PAQUOTTE (be)
SOLO

basse électrique, câble et deux amplis.
Ce travail en solo consiste à l‘élaboration de pièces denses laissant une large place au phénomène acoustique et au temps qui passe.

electric bass,cable and two amps.
This solo work is the development of dense parts leaving plenty of room acoustics and the phenomenon of time.

http://arnaudpaquotte.net/

23/04/13 20h -

SIMONE MARZOCCHI(it)
In his Solo , with trumpet in B flat and with chioccolo , Simone explore sounds in terms of matter and noise , in a kind of sound-journey through animal voices, mechanical gears , sounds of natural elements ; orchestrated between
improvisation and composition.
His main focus is on the micro qualities of sound , on the minimal changing of musical parameters , with a particular attention to the creation of sound-space and to the development of this space through the use of mutes, the valve technique and
the disassembly of the trumpet.
He also use the chioccolo ( in contemporary musical way) , a kind of musical
instrument used in the past by hunters to retrieve the birds.
https://soundcloud.com/simonemarzocchi

+

SAJJRA (Peru)
Chrs Galarreta is a musician from Peru, very active in the South American experimental music scene since the mid-nineties, playing in different bands, running a label, organizing shows, etc. He currently lives in Den Haag. Chrs works on different things: guitars, electronics, circuit bending, field recordings, installations. He just released Beauty Comes From Nothing, a cd-r on Aloardi. More than music, it is a  radical exploration into atmospheres and resonances played with guitar and synthesizer. Continuous sound spaces to produce an effect of timelessness in the perception of the listener and the place where it is issued. Effects that emerge during a prolonged exposure to this sounds. Killing the expectation to hacking the time. This tour is in support of that album and also to play his new song experimental project called Sajjra. http://soundcloud.com/sajjra http://www.sajjra.net,
and http://aloblog.wordpress.com/ 

+

HELVED RÜM (fr)
Helved Rüm is a duo of improvised / electroacoustic music formed by drummer Julien Chamla and electroacoustician Simon Henocq. The device is very simple, a microphone stands above the drums and the sounds are transformed by a real time processing. This is not only a way to transfigure the frictions, screeching and all kinds of sounds developped on the drums, but this formula also allows a strong and unusual interplay between the two musicians. HELVED RÜM’s music goes from very organic and animalistic feelings to a massive and industrial energy. Within free improvisation they are exploring a high range of dynamics and a multiplicity of sounds and densities.

+

EVERY BOLT RUMBLING (NL)
Arvind Ganga is a free-form guitar player from Den Haag, the Netherlands, who uses guitar, effects and objects to create free improvised abstract soundscapes that are warm, haunting and noisy, compared by some to road movie soundtracks. Ethereal with a punk-improv attitude. Arvind's main musical vehicle is his solo act Every Bolt Rumbling, which took him to play squats, clubs, galleries and festivals in the Netherlands, Belgium, France and Germany. Besides Every Bolt Rumbling, Arvind does free improvised shows with like-minded musicians, improvises with modern dancers and he is part of the freedom rock outfit Lekkernijen. He released a cassette on the Silver Ghosts label, contributed to the Burning Palms compilation by the Australian label Flaming Pines, and recently released an improvised cd on Toztizok with drummer Rogier Smal of Dagora. He also sets up experimental shows in his hometown. http://www.arvindganga.net

16/05/13 20h -

SZILÀRD aka Jeremy Young (US)
Szilárd plays "New Sound Works For The Short Films of T.Nishikawa"
Tomonari Nishikawa’s silent experimental 16mm films are gorgeously realized tone poems that deconstruct and reassemble the cinematic frame. Beauty is confronted with its edges, doubled over, layered, cut, scratched and faded. Sound-artist Jeremy Young (aka szilárd & co-founder of Palaver Press) has composed textural scores that mimick Nishikawa’s surface tensions and manipulations by dubbing material to reel-to-reel tape and actively incorporating similar looping, splicing and hole-piercing techniques to his audio. Young also incorporates shifting tonal patterns of sine-wave frequencies and contact mic’d objects to colour the sound palette of these pieces.
www.palavermusic.com
https://soundcloud.com/palavermusic
http://szilarddralizs.bandcamp.com/
Tomonari Nishikawa (JP/US)
http://tomonarinishikawa.com/
Lee Ranaldo Improvising with Nishikawa's films : https://www.youtube.com/watch?v=Q9U5miPjnUY

+

JEAN D.L. (be)
Marcinelle (2012-8 min.-16/9) by Jean De Lacoste
Donkerder (2013 - 15 min - 4/3) By Sandrine Verstraete
Screenscore by Jean D.L.
Jean D.L. develops a universe at once intimistic and noisy, made of hazy soundscape. Jean D.L. has worked in solo but has also collaborated with the likes of S. Biset, B. Drugmand (aka Impostor), Sébastien Karkoszka, Zbigniew Karkowski, Mauro A. Pawlowski, Teun Verbruggen, Antoine Boute, Othin Spake, Soumonces!, Noir, Jozef Van Wissem, Justice Yeldham, Jean-Philippe De Gheest, Paul Labrecque, Anla Courtis, Jozef Dumolin Trio (Feat. Eric Thielemans & Trevor Dunn), Pauwel De Buck, Perte Total Operations, Damo Suzuki Network,…
http://www.jeandl.net/

+

PLOCHINGEN (be)
Plochingen is the solo project of Benoit Deuxant, founding member of the martiensgohome collective. His music is shaped by his taste for the various flavours of electricity: convoluted electronics, short circuits, faulty microphones, humming security doors and passing double-deckers. 
https://soundcloud.com/plochingen-1

24/05/13 20h -

26/04/13 20h -


Emy Chauveau
-Option Disable Playback (Désactiver la lecture) activée
Imprimer | Commentaires sur cette rubrique
Introduction Bonjour Emy Chauveau -

Simon Bertrand
L'auteur déclamera du Henry David Thoreau tout en enculant une poule certifiée écologique par l'union européenne, devant une foule d'invités de marque.

Gregoire Motte
La porte du 63 grince très fort

16/04/13 20h

On aime bien les choses qui n'ont pas de sens.
On aime bien les choses qui en ont.

Il y a un nouveau petit journal qui sort, et ça se passe à Bruxelles.
Per Abuus.Lundi
Tout le monde est invité à y participer, à y jeter ses idées, ses

conneries avec le médium qu'il préfère; par erreur, par lapsus, par nécessité.

Soyez les bienvenus le 15 avril au HS, pour écouter parler lire écrire...

---------------
Per abuus op maandag, maandag per abuus.
er is een nieuw kleine papieren uitgave en het gebeurt in Brussel.
We houden ervan om dingen te doen die steek houden en ook weer niet.
Iedereen is uitgenodigd om te participeren, ideeën te gooien, bellen te blazen met wat je maar wil. Per ongeluk, per vergissing, per abuus.
Wees welkom op 15 april in de Hopstraat 63, HS63. Om te luisteren, te lezen en te krassen.

--------------------
Per Abuus on Monday.
There's a new small paper published. It takes place in Brussels.
We like to do things that make sense and not at all as well.
Everyone is invited to participate, throw some ideas, share there epiphanies, whatever you want. By accident, by mistake, by necessity.
Drop by on April 15th at the HS63, Hopstraat 63, Brussel. To listen, to read, to scribble.

------------------
FREE ENTRANCE
LIBRE ENTREE
VRIJE TOEGANG
20H
-------------------

live:
- Audrey Lauro (improv sax/electronics)
- Scuola Nuova (feat. Xavier Garcia, Quentin Nicolai, Marc Matter)
- Ann Eysermans (harp / video / improv )
- Mathieu Ha
- the cocanoes (feat. Bear Bones, Lay Low)
- Maxim Funes Bielov

dj's
dj Lexi Disques
dj Seb Bassleer

Johanna Weissenrieder
Case study (Fr)
En détournant les conventions de la conférence, les spectateurs sont guidés à travers des architectures mentales entre réalité et fiction. 
By diverting the conventions of the conference, the audience is guided through mental architectures between reality and fiction.

+

Karine van Donink
Report on research project (En/Fr)
Combiner les aspects de l'écologie, génétique des populations, phylogéographie, cytogénétique et de la génomique pour étudier 
la dynamique évolutive des organismes asexués et les espèces envahissantes.
Combine aspects of ecology, population genetics, phylogeography, cytogenetics and genomics to study the evolutionary dynamics of asexual organisms and invasive species.
http://perso.fundp.ac.be/~kvandoni/

+

Sébastien Biset
Dégustation (De la bière; De l'art; De la musique)
Docteur en histoire de l'art, musicien et zythologue, ses recherches portent sur la dimension pragmatique de la création contemporaine,
 les esthétiques de la situation et le « paradigme relationnel »
PhD in art history, musician and zythologue, his researches focuses on the pragmatic dimension of contemporary art, the aesthetics of the situation and "relational paradigm".

05/06/13 20h

form(e)s #2

HALLALIBERTE:
Julien Bibard (image) & Jean-Philippe Saulou (son), 20′ [performance visuelle et sonore]
Hallaliberté (aucun rapport avec la viande) est une performance audio-visuelle basée sur le larsen vidéo, un jeu avec la lumière, une sorte de chasse à court iconoclaste durant laquelle on peut parfois, si on a un peu de patience, distinguer ce gibier très recherché qui n’attend que sa mise à mort …
Julien Bibard créé des matières premières sur différents supports (papier, pellicule, bande magnétique, fichier vidéo, photos ou dessins …) et met en oeuvre les conditions propices à leurs rencontres ou à leurs évaporations accidentelles. Il a notamment travaillé avec l'ensemble Aleph, Ensemble Nomos, Atelier musical de touraine, Aka_Bondage, Mozaure, Fêlure, Bruce Brubaker ...

+

Jean-Philippe Saulou crée ses matières sonores à partir de bruits parasites, de fréquences (synthétiques ou fabriquées) et autres accidents qu'il tente de faire chanter pour laisser entendre, parfois, rythmes ou mélodies. Quelques microphones disposés dans l'espace décident de la couleur du son. Joue aussi en duo dans ilill. A joué éclectiquement dans u.n.d.o, Bülanz Orgabar, The Anti Rubber Brain Factory ,Tendance King Kong ...

+

SONONAME (duo viole de gambe, harmonium indien, voix)
"Ce serait le petit folklore de poche d'une zone intime qui vibre juste à côté du silence. Ça frotte entre les jambes, ça souffle tout près du cœur. Ça apparaît et puis non. Ça écoute que et ça devient sourd à ce qui avait été cru. Paf ! le mythe.
Vagabondage mystique démystifié.
Entre vin rouge terrestre et ayahuasca céleste; viole de gambe, harmonium indien et voix ondulent sous la voûte crânienne avec tendresse, cherchent un chemin vers l'intuition du monde tel qu'il se présente...sans rien attendre...sans rien atteindre."

JASON VAN GULICK
Jason Van Gulick cherche depuis plus d'une décennie à dynamiter les fondements de la batterie. Étranger aux limitations esthétiques, disciplinaires, ou formelles, il a développé son discours artistique en confrontant le caractère acoustique de son instrument à une amplification à travers micros et capteurs, jouant avec les possibilités qui lui sont ouvertes à explorer l'architecture par la diffusion dans l'espace.
Depuis 20 ans, il construit un bagage musical hétéroclite. Parti du hardcore, du rock extrême et du post-métal, il transite par le jazz et l'improvisation, trouve ces marques dans la noise et se laisse aujourd’hui influencer par la musique contemporaine...

Il y dévellope en solo un projet électro-acoustique. Résultat d’un travail très personnel d'expérimentation autour de la batterie, des percussions et du traitement de ces sons dans l’espace lui permettant de réunir ses multiples influences et expériences.
http://jason-vangulick-drummer.blogspot.be/

10/06/13 20h

 

Gaëtan Bulourde 
-Un petit bidon et bien d'autres choses-
"On a un petit bidon 
un bidon d'huile sur la table (…)
c'est un petit bidon qui est posé sur la table…
on a de la chance d'avoir un petit bidon posé sur la table …
merci le petit bidon…"
merci Christophe Tarkos , merci la table, merci la porte, merci Albert Einstein, merci la chaise, merci les petits cailloux,  merci Henry Poincaré, merci les objets trouvés, merci la poésie tonitruante, merci la poussière, merci le hasard, merci le chaos, merci les trois petits points … merci tout le monde 
http://www.bulgaet.book.fr/marteau 
http://www.bulgaet.book.fr/text
http://www.book.fr/admin.php?p=pg

+

Léa Drouet & Frédéric Bernier
-Dire quoi-
A quoi bon avoir conscience de ce qu'on peut pas imaginer? Changement de pratiques. Perte du sujet.
 Tourner autour du pot. Mâcher le poids de la connaissance.
L'idiot du cosmos


Léa Drouet: Actrice/metteur en scène

Frédéric Bernier: plasticien/musicien/performeur
https://soundcloud.com/homnimal
http://vimeo.com/61370522

14/06/13 20h

form(e)s #3

CHARLOTTE BENEDITTINI / LUCILLE CALMEL
duo : closed session, 5mn laptop acoustique
+ solo
(larsen de table + pédale rat)
matière + corps + imbrication + espace + mise en abîme

+

DAVID MERLO
En solo, à la basse et aux objets, David Merlo développe une approche sensible où sont sans cesse confrontées les notions de composition et d’improvisation, où le fixe et le libre se côtoient délibérément, et où le temps semble distordu sans limites.
Un jeu multidirectionnel aux ambivalences nourries entre elles, des points de rencontre et des points de chute, des alternances et répétitions ; on passe positivement de la sensation de vide à celle de trop-plein.

+

VERMISST SUSI
Projet développé par Matthieu Levet (actif aussi en tant que Carrageenan) et Jacques Mouton,Vermisst Susi (ou « Susi disparue » en allemand) est e point de départ d’une recherche sur l’absence.Perte d’une personne mais aussi d’une époque insouciante.Vermisst Susi utilise feedback et cassettes comme simulacre de cette disparition.Si les premières prises de son remontent à 2009, l'activité du duo s'intensifie à partir de 2011 avec la publication d'un premier album éponyme.En Juillet 2012, Vermisst Susi investit pendant une semaine la piscine St François à St Josse pour une série d’enregistrements.
http://www.youtube.com/watch?v=9R-ZGHorBj4
http://vermisstsusi.bandcamp.com/
http://soundcloud.com/vermisstsusi
Discographie :2013 : SCUBA, 3 tapes
2011 : VERMISST SUSI, tape
2008 : Live au Léoz, cdr, Galerie Pache (Paris).

17/06/13 20h

RINUS VAN ALEBEEK+ANDREA SAGGIOMO+GILLES PEETERMANS+JJ DUERINCKX

01/07/13 20h

HS-----> -----> -----> -----> -----> -----> -----> -----> -----> -----> -----> -----> ----->