material
situation
time
in collective
pencil

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

contact

7 haikus for a turntable
acétylène
ootil
volta feedback
again the sunset
cancellled live




ootil - snæbjörn
cancellled atlas
cancellled wtc I II III
ground
headcrash
drift-02
silkscreenrecords serie
unstatic
dual drive
quasi static crack propagation
propaganda
phonographes vinylisés
komatsu
a record without a hole
drift-01
macro static
diatribes&phonotopy
discsection
wireless_archive
deadmedia_archives
neverrecord_radio greux !
neverrecord_sonfunk
radiofreerobots_silicon carne
random
appears on ddaa
prrbrtynnlgjrmfn

 

ongoing projects







discography

wkdts-64
ic-03
ttt- 31
tanuki- 25
vlek- 25
aka- 22
ph- 07
ihab-100
ar- 96
cw- 11
sr- 15
oral- 48
insubcd- 06
ph- 05
aka- 11
ms- 20
insubcdr- 10
aka- 03
ph- 02
ph-03- 04
sf- 02
sf- 01
aka- 01
ph- 01
wds- 03
pfff- 01

TANUKI - 25 | GROUND - C50 cassette tape

 

s

the idea behind «ground» was to join two very different projects connected by the medium.
the A side is up on the ground, a portrait of brad downey recorded on a walk from his home to my place in berlin with his voice repeating obsessively « here I am » all the 17min long, this related to his usual graffiti signature « brad was here ». The B side is down to the ground, a live recording of a concert done in the catacombes of Paris for the art kill vendredi 13 event. a special compact set-up, prepared to enter into the bowels of the city, consisting of portable battery powered instruments, k7 player , turntable , sequencer and magnetic sensors, spread on 7 home-made speakers. a 25min crackle mini noise techno appears from the material and feel driven by the particular atmosphere and acoustic of the place. «ground» is a perfect pretext to link those asymmetrical experiences, the tape becomes therefor the surface between the both.

d

phonotopy